2.
How are the tone and
content of Hamlet’s two letters (to Horatio and Claudius) different? In
particular, what is does Hamlet’s diction (word
choice!) imply in his letter to Claudius (IV.vii)?
3.
Claudius thinks perhaps
that Laertes could kill Hamlet “accidentally” in a fencing match.
Claudius suggests that Laertes could just sort of happen to choose a
sword “unbated,” or sharp, as opposed to the blunted weapon Hamlet would be
using. Pretty crafty, Claudius.
What does Laertes add to this plan in IV.vii.152-161?
4.
OK, so Laertes is crafty
too. But Claudius suggests they should have a “second” option, which is …
(162-176)?
5.
Ophelia’s death,
described in a hauntingly sad, sweet monologue by the Queen (IV.vii.181-198)
dominates the ending of Act IV. Does is come across as swift karma for
Laertes’s evil plotting? Does it seem
like a logical or inevitable extension of her descent into madness? Does she,
perhaps, take her own life? Is she
finally taking charge of her life, but in an ultimately tragic way? Why
does Ophelia have to die??
6.
Water is sometimes a
symbol of purification, sometimes destruction, sometimes cognition or deep
intellect -- sometimes simply a natural, elemental symbol. Which is it
here, in relation to Ophelia’s death? Use
specific text details (w/line#’s) to support your thinking.
7.
Feeling bold?
Sketch a little image of Ophelia’s death and label some of the key
details. (Not feeling bold? Do a google search of Ophelia or Ophelia’s
death and annotate a classic rendition of this scene … or several of them if
this is intriguing to you. Which parts are right out of the text, and
which parts does the artist embellish?)
8.
Note: this “sentence
completion” question is an attempt to get you to consider the significance of
the juxtaposition of the death of Ophelia with the Gravedigger scene (V.i.).
We no sooner have processed the tragic death of Ophelia, then we have the
“Clown” gravediggers debating whether or not Ophelia … (V.i.1-10)!
No comments:
Post a Comment